chkscum: I cannot understand how this masterpiece receives only one favorite, while a talentless buffoon like SDSMS rakes in thousands of favorites.
Like the artistically bankrupt pre-Raphaelites, SDSMS produces atavistic frippery, whereas this piece speaks of NOW, laying bare the truth behind modern culture.
With echoes of Warhol's dissection of consumerism, this piece makes one think of a modern Rodin exploring not only spatial depth, but also the extra dimension of time. Here we are presented with a kaleidoscope of concepts: the repetitive low-quality products of a modern Hollywood machine safe in the knowledge that no matter how poor their work, they will still shovel in shekels to feed their creative accounting money-printers; the disturbing sexual violence permeating Hollywood; the raping of childhoods; and the vacuous nature of Youtube celebrity -- truly the gates of hell.
I despise this site and the philistines who dominate it. I am literally shaking.
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Like the artistically bankrupt pre-Raphaelites, SDSMS produces atavistic frippery, whereas this piece speaks of NOW, laying bare the truth behind modern culture.
With echoes of Warhol's dissection of consumerism, this piece makes one think of a modern Rodin exploring not only spatial depth, but also the extra dimension of time. Here we are presented with a kaleidoscope of concepts: the repetitive low-quality products of a modern Hollywood machine safe in the knowledge that no matter how poor their work, they will still shovel in shekels to feed their creative accounting money-printers; the disturbing sexual violence permeating Hollywood; the raping of childhoods; and the vacuous nature of Youtube celebrity -- truly the gates of hell.
I despise this site and the philistines who dominate it. I am literally shaking.